Thursday, June 11, 2015
Wednesday, February 18, 2015
Never seen it, but maybe it's good? It wreaks a 6.4 on imdb. Certainly, it looks different than most -- a proto 'noir punk' hybrid that literalized the implications of BLADE RUNNER, and gosh darn it, someone should try and release it for real on DVD. Until then, Dr. Anon984 kindly ripped it for its archaeological value and I'm posting it, because it's momentarily warm outside and its fooling me into thinking its spring.
Wednesday, December 10, 2014
Wednesday, November 5, 2014
Thursday, October 16, 2014
If you don't know SCARFOLK -- check it out. There's nothing I can add, because they have magick psionic tendrils that vibrate like spider web strands when anyone dares quote or discuss the town beyong cautious, brief, respectful praise. I will tell you that they're sooo British that their newly released book 'Discovering Scarfolk' isn't even available in the U.S., you have to go to Amazon UK and deal with all that currency exchange and overseas shipping.
BUT - we can see, at last a lot of the origins of the amazingly specific and haunting motifs at work, namely scary British TV shows aimed at children, both cautionary, imaginative and in general vibing off the local richness of Stonehenge, druids, human sacrifice, and psychedelics.
One show that apparently scared every kid who saw it is called CHILDREN OF THE STONES:
Also, check out 'The Hauntological Society" for summaries and capsules of old British shows, like A Come Andromeda.
And the magazine The Unexplained -- and to think of all the time I wasted reading Ranger Rick!! Would love to find these somewhere.
Lastly, a British Public Information film called The Finishing Line.
And to think what we missed by having only one public-funded TV channel and prudish corporate-driven censorship that forced everything into treacly mush!
Here's the piece by Scarfolk writer Richard Littler discussing these and other horrors you'll want to unearth, if you're daft.
Wednesday, September 24, 2014
Retrofuturist Synth Module Scores is Then: Sinoia Caves (BEYOND THE BLACK RIANBOW); Tom Raybould (THE MACHINE);
Dig these bizarro retro phat synth paranoid scores: Rayboulds is somewhere between Vangelis for BLADE RUNNER, John Carpenter for ESCAPE FROM NEW YORK and Tangerine Dream for SORCERER, and the perfect wallpaper for a crisp fall afternoon wandering through a dying landscape, each rustling orange leaf in the street an ominous portent. And Sinoia Caves is for when your floating down the street at dawn, chased in slow motion by your own shadow looming 60 feet tall and with burning coal eyes but you are not afraid, in other words part György Ligeti from THE SHINING and part Claudio Simonetti from TENEBRE. And it's on Spotify, which you should have if you don't, human, because the future is now and nearly everything but the Beatles can be crawling all over you...